Audio Performance

The audio performance tests were done using Audio Rightmark 6.1.1 and a 3.5mm gold plated, oxygen free stereo loop back cable between stereo out and microphone input. Results were taken at the DVD sample rate of 16-bit/48KHz and High Definition 24-bit/96KHz.

What we're looking for:

  • Noise Level: A higher negative is better. This is usually viewed in relation to a signal level which provides a signal to noise ratio. As you get closer to zero there's more noise and lesser audio fidelity.

  • Frequency Response: Two values listing how close to the lower higher frequencies the codec can reach. If it hits them perfectly it'll display a 0, 0.

  • Dynamic Range: The difference between the loudest and quietest sounds the codec can make before it distorts them. The larger the gap, the better.

  • THD and IMD percentage: Closer to zero is better. THD and IMD are best looked at together, where as if you have a lot of THD and not much IMD, then it'll offer a warmer accurate sound. High THD and IMD provides a warm, inaccurate sound, low THD and high IMD gives a cold inaccurate sound and finally low THD and IMD gives a cold accurate sound.

  • IMD = intermodulation distortion and is a fancy way of saying conversion interpolation, which is a basic detection of the quality loss after an analogue to digital then digital to analogue conversion. By comparing it to a highly compressed source it shows up problems with the codec and converters.

  • THD = total harmonic distortion, which shows up unwanted harmonics; integer multiples of the original component sound that can be second, third, fourth degrees or overtones for example.

  • Stereo Crosstalk: where the stereo channels "talk" to each other and interact. Ideally you want them entirely separate, unmixed or echoed in either channel, so a higher negative a result as possible is preferred.

16-bit / 48KHz


Foxconn Blood Rage Subsystem Testing: Audio Performance

Click to enlarge
Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance
Crosstalk, Dynamic Range and Frequency Response
Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance
Intermodulation Distortion, Noise Level and Total Harmonic Distortion

24-bit / 96KHz


Foxconn Blood Rage Subsystem Testing: Audio Performance

Click to enlarge
Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance
Crosstalk, Dynamic Range and Frequency Response
Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance
Intermodulation Distortion, Noise Level and Total Harmonic Distortion

Foxconn Blood Rage Subsystem Testing: Audio Performance

Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance Foxconn Blood Rage Subsystem Testing: Audio Performance
Click to enlarge

The Foxconn Sonar (not to be confused with the Xonar from Asus) is basically a high quality Realtek ALC889 High-Definition audio chipset with X-Fi Xtreme Audio software driven features. The EAX4.0 functionality is a great addition for some games that use it, but the list is getting pretty thin these days while CMSS 3D does little more than the software driven matrix upscales from Dolby Pro Logic/Virtual Surround or DTS Neo:PC.

The X-Fi brand is good to have and keeps Foxconn competitive from a features standpoint, but we don't think it adds too much value in this day and age. Better quality power designs with a dedicated ground, tantalum capacitors and better Op-Amps are preferential, but are difficult to brand and market, and cost more than an X-Fi license we suspect.
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October 14 2021 | 15:04